Search

These numbers are reserved for art history courses that may be offered from time to time by: a) art history faculty who may wish to present a course in their speciality; or b) visiting art history lecturers.Announcements regarding AHIS 1195 offerings will be made in the Registration Guide and Course...

These numbers are reserved for art history courses that may be offered from time to time by: a) art history faculty who may wish to present a course in their speciality; or b) visiting art history lecturers.Announcements regarding AHIS 1295 offerings will be made in the Registration Guide and Course...

This course is a study of the art and architecture of Renaissance Italy from the late 13th century through to the 16th century.

An introduction to the study of religion emphasizing the breadth of religious belief and practice in the contemporary world. Major themes, such as ritual, belief, ethics and community, and religion and culture, are discussed.

This course deals with complex handbuilding and throwing techniques as well as independent kiln firing, all of which build on existing skills from Foundation Ceramics. Students will begin to develop individual approaches to form and content. Assignments are designed to encourage students to explore...

Students are equipped with advanced tools to engage with the industrial design process. Stressing idea development and object creation, this course builds on a range of professional, industry standard techniques, materials, and processes. In this hands-on course, students explore various object...

This course will involve an exploration of a wide range of traditional and non-traditional drawing materials. Students will work from challenging studio set-ups, regularly involving the model. There is an emphasis on the student understanding traditional drawing practices while addressing the role...

The objective of Advanced Painting II is for each student to build a body of work from self-directed research and independent study under the guidance of the instructor. Individual and group critiques are an integral part of this course.Registration in this course is restricted to students admitted...

Students explore and apply basic intaglio printmaking methods: the dry point, hard and soft ground metal etching, and tonal possibilities of aquatint. Students also explore and apply contemporary intaglio/relief hybrid print making such as collagraph/relief. Incorporating presentations on the...

Continuation of developing rehearsal skills and creative potential. Work in various periods and styles. Advanced scene work. Preparation of audition material.